We are excited to announce that the Woodstock Chamber Orchestra has teamed up with Brown Paper Tickets to provide online ticket sales for all future concerts on our website at http://wco-online.com. You can go to brownpapertickets.com and search for Woodstock Chamber Orchestra for upcoming events or use the following link https://wcorchestra.brownpapertickets.com for more information.
When you order tickets through brownpapertickets.com you can:
– use your PayPal account at checkout
– request that your tickets be held at Will-Call
– print your tickets from home
– use their Mobile Delivery Service which will send e-tickets directly to your mobile phone
– request physical tickets which will be sent to your mailing address via USPS 1st Class
All of this is available to you at no additional charge.
Go to brownpapertickets.com or toll free at 800-838-3006 and buy your tickets today!
The closing concert of the Woodstock Chamber Orchestra‘s 39th season highlights folk music celebrated by important classical composers including Brahms, Dvorak, Bartok, and Copland. Led by our newly appointed Music Director Jonathan Handman, this program will also feature the exciting and dynamic sound of the bluegrass trio “Uncommon Ground“. Group members Philip Helm, Wayne Fugate and Rachel Handman will collaborate with the WCO, performing their own music and that of the contemporary American composer Conni Ellisor.
This concert will be presented on Saturday, June 9, at 7:30 p.m. in Quimby Theater of SUNY Ulster, located in Stone Ridge, NY. Tickets this season are $25 for adults, $20 for seniors, and $5 for students. Tickets are available at the door, online at https://wcorchestra.brownpapertickets.com, or by phone at 800-838-3006. SUNY Ulster students/faculty & staff with ID will have free admission to this concert.
The Woodstock Chamber Orchestra‘s next concert “Breaking Barriers” is a tribute to the orchestra’s longtime first violinist (concertmistress) Betty-Jean Hagen, who passed away in late 2016. Many of the orchestra’s string players had studied with her and all of its players, and conductors, held her in deep respect for both her virtuosity on her instrument and her musical acumen.
The orchestra’s new music director, Jonathan Handman, has chosen a program featuring as soloist a former student of Hagen’s, violinist Madalyn Parnas-Moller, and a program reflecting Hagen’s favorites: Mozart, Sibelius and Brahms. The concert will be presented in Olin Hall at Bard College on Saturday, March 3 at 7:30 pm (snow date: Sunday, March 4 at 3:00). Tickets this season are $25 for adults, $20 for seniors, and $5 for students. For more information call the WCO at (845) 266-3517.
The Woodstock Chamber Orchestra, Jonathan Handman, music director, presents
its second concert of the 2017-18 season on Saturday, January 6 at the Woodstock Playhouse at 7:30. “Transcendent Masterworks” offers three great and popular pieces that represent the peak of composition in their respective genres: the orchestral overture (Rossini’s “Italiana in Algieri”), the concerto (Rodrigo’s “Concierto de Aranjuez”) and
the symphony (Beethoven’s Seventh Symphony). Noted area classical guitarist Gregory Dinger is the soloist in the “Aranjuez.” Tickets will be available at the box office on the afternoon of the concert. Snow date for this concert is Sunday, Jan. 7 at 3:00)
As the leaves turn colors, the orchestras come out of hiding… On October 7 at the Woodstock Playhouse, the Woodstock Chamber Orchestra began its first season under new music director Jonathan Handman with an ambitious program which was hardly of chamber orchestra proportions. Are we close to having a Woodstock Symphony Orchestra? Looks like it to me.
Weber’s “Oberon” Overture was crisp, clear, and animated, although I was disappointed the the wonderful barbaric horn yawns near the end were barely audible. Mendelssohn’s Symphony No. 5, the “Reformation,” was actually his second symphony for full orchestra (after 12 string symphonies). It got the misleading number five when it was published 20 years after Mendelssohn’s death. I think Mendelssohn was right to withhold most of his posthumously published works, definitely so in this generally plodding, turgid piece (except for the lively second movement). Handman and the orchestra did their best to bring the piece to life, though.
There are no doubts about the status of Dvorak’s Cello Concerto, beloved by cellists and listeners and perhaps the greatest concerto ever written for the cello. Cellist Rachel Henderson Freivogel played here recently as a member of the excellent Jasper Quartet. She had the technique and, more important, the musical projection to make a compelling success of this long concerto. Despite some occasional moments of imbalance — it’s easy for an orchestra to drown out a cello — the collaboration also worked, with Handman and his players effectively backing their excellent soloist.
I’d say the WCO — or WSO — came through this difficult program with great success. …This concert has to be heard as a milestone in the ensemble’s progress.
music review by Leslie Gerber – Woodstock Times, Oct. 12, 2017
the Woodstock Chamber Orchestra‘s next concert is Saturday, January 6 at 7:30
(snow date: Sun., Jan. 7 at 3) at The Woodstock Playhouse.
“Transcendent Masterworks” program: Rossini – “L’Italiana in Aliergi” Overture, Rodrigo – “Concierto de Aranjuez” with Greg Dinger, guitar soloist, and Beethoven – Symphony No. 7
The Woodstock Chamber Orchestra, under the direction of its newly chosen
music director Jonathan Handman will begin its 39th season of concerts,
performing at the Woodstock Playhouse, Olin Hall at Bard College and Quimby Theater
at SUNY Ulster, in early October
The season series is:
Saturday Oct. 7 at 7:30 p.m.
Woodstock Playhouse Mill Hill Rd., Woodstock, NY
Overture to “Oberon” by CARL MARIA VON WEBER
Symphony No. 5 by FELIX MENDELSSOHN
Cello Concerto in B minor by ANTONIN DVORAK
with cello soloist Rachel Henderson Freivogel
Saturday Jan. 6 (snow date Jan. 7) at 7:30 p.m.
Woodstock Playhouse Mill Hill Rd., Woodstock, NY
Overture to “L’Italiana in Algeri” by GIOACHINO ROSSINI
Symphony No. 7 by LUDWIG VAN BEETHOVEN
“Concierto de Aranjuez” by JOAQUIN RODRIGO
with guitar soloist Gregory Dinger
“Breaking Barriers” A Tribute to WCO Concertmistress Betty Jean Hagen
Saturday March 3 at 7:30 p.m.
Olin Hall in Bard College Route 9G, Annandale-on-the-Hudson, NY
Violin Concerto by JEAN SIBELIUS
with violin soloist Madalyn Parnas Moller
and other music associated with Betty Jean Hagen
“Just Plain Folk” Continue reading
the Woodstock Chamber Orchestra announces it will be holding auditions this summer for the position of Concertmaster/mistress. For details contact Executive Director Dana White-Marks at (845) 266-3517.
The Woodstock Chamber Orchestra is very happy to announce that its 2016-17 Conductor Search Season has resulted in the appointment of Jonathan Handman as the orchestra’s new Artistic Director. Handman was chosen by the orchestra’s Search committee, comprised of several members of the orchestra (representing its various sections), the board of directors’ president and the orchestra’s executive director, and the choice was approved by the board of directors. The committee took into account evaluations of the 4 candidates for the post by members of the orchestra, via detailed surveys after each concert of the season, as well as interviews with the conductors themselves. All 4 candidates who conducted a concert this season, Gwen Gould, William Stevens, Marissa Kaczynski, and Handman, presented superlative concerts, garnering audience enthusiasm and some of the best reviews in the local media that the orchestra has received in recent years. The Woodstock Chamber Orchestra believes Jonathan Handman will bring to this new position the benefit of years of conducting experience, superior musicianship, and an excellent rapport with the musicians.
The last concert of this Search Season was set up to be the Winner’s Concert, with the newly selected music director choosing a theme for his/her concert program. Handman and the WCO will perform a Celebration Concert called “Inspirations of the New World” featuring a variety of music by American composers, some famous and some not so — John Philip Sousa, George Gershwin, Aaron Copland, 19th century George Chadwick, 21st century Conni Ellisor — plus one of the greatest pieces of symphonic music ever, that owes it roots to the United States, Antonin Dvorak’s “New World” Symphony. The concert is Sunday, May 14 at 3 pm at the Woodstock Playhouse, located at the entrance to the town of Woodstock (the intersection of Routes 375 and 212). We hope you will join us in welcoming Jonathan Handman as the orchestra’s new artistic director and be part of ushering in the next chapter in the 37 year history of the Woodstock Chamber Orchestra!